Critical discuss empirical evidence supporting, or challenging, Essay

Macbeth Where Events Are Shaped by Ambition and Madness Essay

Of the numerous William Shakespeare’s well known writer, Macbeth is one that difficulties characters mental soundness with their desire for power. Aspiration is a subject that is early settled in the play where the craving for force and status expends Macbeth after hearing the witches’ prediction. Woman Macbeth, as well, wants for power nearby her better half. Be that as it may, her bad behavior conquers her with dread and blame, which strips her away from her mental stability. This additionally devastates the cozy relationship that both Lady Macbeth and Macbeth had as their lives are directed by dread. Consequently, the occasions in this play are formed by the characters whose desire drives them to lose their profound quality, and later to be detained in their own franticness. Macbeth is a yearning man essentially, and was known to be â€Å"valiant† and â€Å"brave†, in any case, he is later alluded to as a â€Å"tyrant† as his long for power conquers his feeling of ethical quality. Macbeth’s aspiration is evident when he hears the witches’ prediction, â€Å"all hail Macbeth, thou shalt be top dog hereafter†, to which he later orders â€Å"stay you blemished speakers, let me know more†. This change in Macbeth’s character starts the principal indications of aspiration he needs to become lord, and Banquo sees this, citing â€Å"Look, how our partner’s rapt.† This as a result can be supposed to be the impetus to Macbeth killing Duncan for his title of King of Scotland. Along these lines, Macbeth lives in consistent dread of being ousted, and his frenzy to hold control over every other person is outlined through the spying of each ruler. â€Å"There’s not one but rather in his home, I keep a hireling fee’d.† Consequently, Lady Macbeth likewise endures her bad behaviors, and in her frenzy, she drives herself to her own catastrophe. Woman Macbeth can be supposed to be significantly more aggressive than her better half in the first place, yet as the blame of her activities beats her, she takes her own life tragically. In the initial barely any scenes of prologue to Lady Macbeth, she can be believed to yearn for status and wills for her feelings to be alarmed for what wrongdoing she is to submit. â€Å"Come, you spirits that tend on mortal musings, unsex me here, and fill me from the crown to the toe top-loaded with direst cruelty!† This edginess in Lady Macbeth goes to show the gigantic insatiability she has for control and can likewise be seen when she advices Macbeth, â€Å"To flabbergast the time, resemble the time. Bear welcome in your eye, your hand, your tongue. Look like th’ guiltless bloom, however be the snake under’t.† Although Lady Macbeth acts so angrily, her inner voice despite everything wins in that she can't rest around evening time yet remembers the bad dream the homic ide. â€Å"Here’s the smell of blood still. All the aromas of Arabia won't improve this little hand.† The dread that has expended Lady Macbeth affected the occasion wherein she ends her own life. Aspiration and franticness encased on both Macbeth and Lady Macbeth is the reason for their floating relationship, to where they are unequipped for indicating feeling towards one another. The evening of the homicide, franticness saturates Lady Macbeth as she envisions hints of the night. â€Å"I heard the owl shout and the crickets cry.† Macbeth, then again envisions voices, â€Å"One cried â€Å"God favor us!† and â€Å"Amen† the other, as they had seen me with these hangman’s hands†, stamping one of the numerous events in which the executing has influenced his and his wife’s mental state. In the movement of the play, Macbeth cites ‘Direness, natural to my slaughterous musings can't once begin me† suggesting that he has dreaded an excessive amount to fear anything by any stretch of the imagination. This absence of feeling is likewise observed when he finds about Lady Macbeth’s passing, reacting with no feeling of care or love towards his significant other. â€Å"She ought to have kicked the bucket henceforth; there would possess been an energy for such a word.† All this stands out from the relationship Macbeth and Lady Macbeth had toward the beginning where they viewed each other as â€Å"My dearest love†. Their relationship had will undoubtedly endure as their aspiration was unreasonably incredible for their capacity to adapt to blame and dread, molding numerous awful occasions in the play. Shakespeare’s exceptionally respected dramatist, Macbeth, has investigated the demolitions of over aspiration as well as leads into the outcomes of the characters passionate and mental state. Aspiration in characters, specifically Macbeth and Lady Macbeth, has molded the occasions which took both their lives as they were adulterated with fear and franticness. Not just have their activities driven them to craziness yet have likewise decimated their relationship, which was left pointless to both at long last. Subsequently, desire and frenzy in Macbeth and Lady Macbeth has molded the occasions which brought about the deplorability of their passing.

How Can You Break Bad Habits

How Can You Break Bad Habits Theories Behavioral Psychology Print How Can You Break Bad Habits? By Nancy Schimelpfening Nancy Schimelpfening, MS is the administrator for the non-profit depression support group Depression Sanctuary. Nancy has a lifetime of experience with depression, experiencing firsthand how devastating this illness can be. Learn about our editorial policy Nancy Schimelpfening Updated on February 04, 2020 Getty More in Theories Behavioral Psychology Cognitive Psychology Developmental Psychology Personality Psychology Social Psychology Biological Psychology Psychosocial Psychology A habit is any action that we have performed so often that it becomes almost an involuntary response. If we consider this habit to be undesirable then we may label it a bad habit. People spend countless hours and dollars each year attempting to break these bad habits and often do not have any success. Why? Because there is no magic bullet. Change is hard work and there is no shortcut to achieving it. The steps a person needs to take, however, can be very simply outlined. To effect a change in habits, one needs to bring the action back into the realm of consciousness and regain the ability to make choices. Whats the Payoff? The first step in breaking a bad habit is to look at why you find this action so compelling. In other words, whats the payoff for doing this seemingly negative thing? Since youve already classified this as a bad habit you may be tempted to say there isnt one. But look closer. There is always a payoff. Lets say your bad habit is yelling at your kids. Whats in it for you? You let off some steam and feel a little better for the moment. Or you have a bad habit of leaving the dishes unwashed? The payoff could be that you get to spend more time on the Internet! Whats the Trade-Off Next, take a look at the trade-off. What is it that you are losing by exercising your habit? This step should be easier. Just think why it is that you consider it a bad habit in the first place. Yelling at your kids is a bad habit because it leaves everybody feeling tense and tears down your childrens self-esteem. You are trading a temporary release of tension for the emotional health of your children. Leaving the dishes undone is a bad habit because your kitchen is a smelly mess. To have more Internet time you are trading off having a pleasant living environment. When you look at it that way it doesnt seem like you are making very wise choices, does it? There has to be a better way. Time to Make a Choice! Now that youve weighed both sides of the issue--your payoff and your tradeoff--its time to make a choice. Its no longer an involuntary act because now you know that you are making a choice every time you perform this action. You are choosing what you value more: the payoff or the tradeoff! Each time you start to do whatever the bad habit is now you have to actively choose. Which do you value more? Do you value more the relief you get by yelling at your kids or do you value their emotional well-being? Do you value more having more Internet time or having a pleasant place to live? Substituting Better Behaviors The whole reason you formed your habits in the first place is that they filled a need. You had tension that needed relief or you had a desire to surf the Net. As you break the old patterns you still need a way to fulfill these needs. You will be not only making an active choice to not do the old action you will also be making a choice to perform a better, alternative action in its place. Instead of yelling at your kids you might decide to go for a run every time you are feeling tense. Instead of letting dirty dishes pile up you may decide to use paper plates when you are eating alone. What the new habit is that you substitute isnt so important as whether you feel good about the choices you have made. After all, the reason you consider it a bad habit is because it leaves you feeling bad about yourself.? Its Up to You By now you should realize that the only way to continue with a bad habit for very long is to sink back into denial of why you are doing it in the first place. Each time you begin to resume your old patterns the thought will pass through your mind that you are trading X for Y each time you perform that action. You will be forced to make a choice, whether good for bad, about continuing your habit. What choices will you make? The one that makes you feel bad about yourself or the one that makes you feel good? Its up to you.

There Will Come Soft Rains Story Analysis

American writer Ray Bradbury (1920 to 2012) was one of the most popular and prolific fantasy  and science fiction writers of the 20th century. He is probably best known for his novel, but he also wrote hundreds of short stories, several of which have been adapted for film and television. First published in 1950, There Will Come Soft Rains is a futuristic story that follows the activities of an automated house after its human residents have been obliterated, most likely by a nuclear weapon. The Influence of Sara Teasdale The story takes its title from a poem by Sara Teasdale (1884 to 1933). In her poem There Will Come Soft Rains, Teasdale envisions an idyllic post-apocalyptic world in which nature continues peacefully, beautifully, and indifferently after the extinction of humankind. The poem is told in gentle, rhyming couplets. Teasdale uses alliteration liberally. For example, robins wear feathery fire and are whistling their whims. The effect of both the rhymes and the alliteration is smooth and peaceful. Positive words like soft, shimmering, and singing further emphasize the sense of rebirth and peacefulness in the poem. Contrast With Teasdale Teasdales poem was published in 1920. Bradburys story, in contrast, was published five years after the atomic devastation of Hiroshima and Nagasaki at the end of World War II. Where Teasdale has circling swallows, singing frogs, and whistling robins, Bradbury offers lonely foxes and whining cats, as well as the emaciated family dog, covered with sores, which ran wildly in circles, biting at its tail, spun in a circle and died. In his story, animals fare no better than humans. Bradburys only survivors are imitations of nature: robotic cleaning mice, aluminum roaches and iron crickets, and the colorful exotic animals projected onto the glass walls of the childrens nursery. He uses words like afraid, empty, emptiness, hissing, and echoing, to create a cold, ominous feeling that is the opposite of Teasdales poem. In Teasdales poem, no element of nature would notice or care whether humans were gone. But almost everything in Bradburys story is human-made and seems irrelevant in the absence of people. As Bradbury writes: The house was an altar with ten thousand attendants, big, small, servicing, attending, in choirs. But the gods had gone away, and the ritual of the religion continued senselessly, uselessly. Meals are prepared but not eaten. Bridge games are set up, but no one plays them. Martinis are made but not drunk. Poems are read, but theres no one to listen. The story is full of automated voices recounting times and dates that are meaningless without a human presence. The Unseen Horror As in a Greek tragedy, the real horror of Bradburys story remains offstage. Bradbury tells us directly that the city has been reduced to rubble and exhibits a radioactive glow at night. Instead of describing the moment of the explosion, he shows us a wall charred black except where the paint remains intact in the shape of a woman picking flowers, a man mowing the lawn, and two children tossing a ball. These four people were presumably the family who lived in the house. We see their silhouettes frozen in a happy moment in the normal paint of the house. Bradbury does not bother describing what must have happened to them.  It is implied by the charred wall. The clock ticks relentlessly, and the house keeps moving through its normal routines. Every hour that passes magnifies the permanence of the familys absence. They will never again enjoy a happy moment in their yard. They will never again participate in any of the regular activities of their home life. The Use of Surrogates Perhaps the pronounced way in which Bradbury conveys the unseen horror of the nuclear explosion is through surrogates. One surrogate is the dog who dies and is unceremoniously disposed of in the incinerator by the mechanical cleaning mice. Its death seems painful, lonely and most importantly, unmourned. Given the silhouettes on the charred wall, the family, too, seems to have been incinerated, and because the destruction of the city appears complete, there is no one left  to mourn them.   At the end of the story, the house itself becomes  personified and thus serves as another surrogate for human suffering. It dies a gruesome death, echoing what must have befallen humanity yet not showing it to us directly.   At first, this parallel seems to sneak up on readers. When Bradbury writes, At ten oclock the house began to die, it might initially seem that the house is simply dying down for the night. After all, everything else it does has been completely systematic. So it might catch a reader off guard when the house truly starts to die. The houses desire to save itself, combined with the cacophony of dying voices, certainly evokes human suffering. In a particularly disturbing description, Bradbury writes: The house shuddered, oak bone on bone, its bared skeleton cringing from the heat, its wire, its nerves revealed as if a surgeon had torn the skin off to let the red veins and capillaries quiver in the scalded air. The parallel with the human body is almost complete here: bones, skeleton, nerves, skin, veins, capillaries. The destruction of the personified house allows readers to feel the extraordinary sadness and intensity of the situation, whereas a graphic description of the death of a human being might simply make readers  recoil in horror. Time and Timelessness When Bradburys story was first published, it was set in the year 1985. Later versions have updated the year to 2026 and 2057. The story is not meant to be a specific prediction about the future, but rather to show a possibility that, at any time, could lie just around the corner.

Going Deep into Drama Essay example - 872 Words

Before all electronic devices were invented, people watched plays at theater for entertainment. Plays were the common things back then, and they were where drama came from. According to Merriam-Webster Encyclopedia, the word, â€Å"drama†, is from Greek, meaning to do, act. That is why drama is usually conducts on stages and in theaters. According to Meriiam-Webster, drama is defined as a serious story that is expressed as dialogues, and is presented by actors on stages and televisions. Fiction and drama both have plots. They introduce the problem, build the climax, and then solve it. Compared to fiction, drama doesn’t specifically describe the characters’ structures. Fiction helps the readers to imagine the characters’ outlooks. Drama is†¦show more content†¦However, their deceptions don’t cause harms to others, they just want to help Beatrice and Benedick to know each other’s true heart. On the other hand, Don John repeatedly makes up false rumors. First he told Claudio Don Pedro tricks him about helping him with Hero. Don Pedro just wants Hero for himself. It causes a misunderstanding between Claudio and Don Pedro. Later, he lies to Claudio and Don Pedro about Hero’s reputation, leading to Claudio and Hero’s ruined wedding. Don John’s deceptions are to make people misery and destroy relationships. Shakespeare skillfully presents two different deceptions into a drama, so audiences compare and know why one is good and the other is bad. Another moral lesson is to blindly believe in everything one hears. For instance, Claudio easily falls into Don John’s tricks because he is so gullible. After the first time of being tricked by Don John, Claudio should question the valid of Don John’s claims. He just sees a figure that wears Hero’s nightgown at her window with another man, and believes it is her. Claudio doesn’t neither have trust in Hero nor know her well enough. Shakespeare wants to warn people should not believe easily everything they hear or see. They should make assumption based on people’s actions and characters. Each character portrays a different lesson about morality. Audiences find Shakespeare’s characters portray people in real life and easily relate to them. That is whyShow MoreRelatedThe Reality Of Reality Television936 Words   |  4 Pagesviewers keep watching reality television is because they can relate to the stars, people tend to feel better about their own lives after watching these types of shows, and its unscripted. Many viewers are able to relate to reality television. Hidden deep down there may be a particular reality TV star that everyone either loves or hates that you can secretly relate to. 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Wong Kar Wai’s “In the Mood for Love” Free Essays

IN THE MOOD FOR LOVE Set in front of the conservative backdrop of 1960’s Hong Kong, Wong Kar Wai’s In the Mood for Love tells the intimate tale of two people who, by fate, seem to land themselves in each other’s company due to the common bond of the absence of their spouses. The plot of the film is by no means anything original, but it is deeply accentuated by the style in which the film is shot. With unconventional camera angles, an inconsistent musical score, and deep, luscious colors, In the Mood for Love brings a seemingly real perspective to a very personal story. We will write a custom essay sample on Wong Kar Wai’s â€Å"In the Mood for Love† or any similar topic only for you Order Now Mr. Chow (Tony Leung) and Mrs. Chang (Maggie Cheung) coincidentally, move in to their small neighboring Hong Kong flats on the same day. Mr. Chow, a newspaper editor with an unseen, but presumably traveling, wife, and Mrs. Chang, a secretary, also with an unseen business executive husband. The two often find their paths crossing as they frequent the same streets, restaurants, and noodle shop. It is when they discover that their spouses are having an affair that they begin to see each other. Unlike very fast paced, show-all, American films, the relationship that blossoms between Mr. Chow and Mrs. Chang is not one of immense passion and love, but more of a deeper unsaid understanding. It is the simple gestures such as the conversations, the gazing into one another’s eyes, and the holding of hands where the real relationship lies. This could not be clearer when, in a climactic moment of the film, they briefly caress each other’s hands in the back of a taxi. The film is accentuated by the unconventional, but highly innovative camera work throughout. Often times the camera remains stationary while the characters move about, and sometimes out of the frame. It’s as if to remind the audience that we are looking through a peep hole rather than through a movie screen, and that there are things that we will not be able to see. Throughout various portions of the film, like the rice cooker scene, for example, you can hear the characters speaking, but you will actually have to visualize what they are doing. The position at which the camera lies throughout the movie is also noteworthy because of the strange angles it is put at, such as under a bed, over a person’s shoulder, through metal grating, and in general, low to the ground. It seems that Wong Kar Wai is telling us â€Å"no, that’s too easy. You need to look at this from a more difficult position, as if you were eavesdropping on these very private moments†¦Ã¢â‚¬  The rich colors and costumes of the film play a very large part in how the story is told as well. In the first scene, at the appearance of Mrs. Chan and her very colorful dress, the audience is immediately drawn to her and continues to watch her throughout the rest of the film. From then on each dress, one right after the other, begins to astonish the viewer with its lush colors and interesting patterns. This immediately sets Mrs. Chan apart from any other character, especially Mr. Chow, who dresses in relatively the same attire every day, creating a very physical contrast between two characters who are emotionally similar. Not only does the costuming add emphasis to the film, but the lighting of most of the scenes adds another layer onto they already thick stylized coat of the film. Much of the film takes place on the very foreign and almost enigmatic streets of Hong Kong, usually during the night, and we are provided with not quite enough illumination to see everything perfectly. This adds a heightened level of mystery throughout the entire film, especially in the first half, before the characters really meet. The warm colors, in a sense, add quite a bit to the slow pacing of the film. These are not very cold, vivid, or fast colors, but rather ones that let the scenes take their time, in a place where conversations are not hurried and friendly games with neighbors last into the late hours of the night. The editing also does its part to slow down the movie, making the shifts between days seamless and slowing scenes down into slow motion to literally â€Å"juice† the magic out of them. However, much, if not all of the aforementioned material is simply technique none of the true bread and butter of movies is covered. This is simply because there hardly was any. Is the plot original? No, not really. Is the script solid? Well, considering there was no actual script to begin with, no. But is the way in which all of these, otherwise boring, elements filmed beautiful and interesting? Absolutely! It seems that the true core of this movie is missing, but who’s to say that every movie has to follow a standard formula? THEMES TIME After reading some interviews I found that Kar-wai was very interested in the past, almost nostalgic for how Hong Kong was when he was growing up. He also finds interesting ways to show the passing of time in In the Mood for Love with the many beautiful dresses that Mrs. Chang wears. ISOLATION Another heavy theme in In the Mood for Love is isolation. In a couple of the interviews Kar-wai mentioned that people (like himself) fleeing Shanghai to Hong Kong basically had to cram into apartments. Kar-wai creates a limited visual space by having actors off-camera, shooting in narrow hallways. Even the character’s emotions seem to distance themselves. CINEMATOGRAPHY The way Wong Kar-wai and Chris Boyle go about shooting movies is the complete opposite from every other director we’ve studied this semester. Instead of taking a more professional approach of meticulously planning out every shot, they figure out what would be best determined by location, and it seems they act more like bumbling film students rather than award winning filmmakers. â€Å"Our styles come from the way we work; like in Fallen Angels we started working in a very small teahouse, and the only way we could shoot the scene was with a wide-angle lens. But I thought the wide-angle lens was too normal, so instead I preferred an extreme wide-angle. And the effect is stunning because it draws the characters very close to the camera but twists the perspective of the space so they seem far away. It became a contrast to Chungking Express, in which people are very far away from the camera but seem so close. Also, we work with very limited budgets and we don’t have permits, so we have to work like CNN, you know, just breaking into some place and taking some shots. We often don’t have time for setups, and sometimes when neighbors walk into the frames we have to cut them out, and that becomes a jump cut. I think 10 or 15 percent is preconceived. Most of it just happens. † –Wong Kar-wai This is all very surprising because the most notable features in In the Mood for Love is the look of the film, which is beautiful. It’s nice to know there are other ways to go about shooting a film, and that being meticulous doesn’t make you a better director. The way you take on the challenges of shooting a film to be as visually competent as possible makes you a director. WORKING WITH ACTORS Seeing how Kar-wai’s filming techniques are by the seat of your pants, it comes as no surprise that his directing of actors is just as spontaneous. During the filming of In the Mood for Love, Maggie Cheung said that the camera would be far away (because he’s shooting with a wide angle I’d assume) and that he would all of a sudden want to switch the shot to slow motion, without telling any of the actors. â€Å"He will see a shot and then suddenly he will picture it as a slow motion shot and he’ll just say, let’s try one of those, and then he’ll just do it, without us even knowing. I’m not sure if this is the best way to go about directing an actor unless you are absolutely sure about what you’re doing. Wong Kar-wai seems to be a free spirit in the way he speaks, and directs. Plus he has a close relationship with many collaborators so everyone knows what is needed from them to complete his vision. Kar-wai seem s to know the most about human emotions and how to properly show them on the screen so they’re believable. I remember there was an emotional scene where I was saying good-bye to Andy Lau at a bus stop. We had to retake that scene the next day because I was not very good. I thought I had been good because I had been crying and crying, but Wong Kar Wai said, â€Å"It is not about that. It is not about how many tears drop out of your eyes or how emotional you are. † I said, â€Å"No? But you ask me to cry and I am crying, why am I doing it wrong? † He said, â€Å"But when you cry you should try to hold back. Nobody cries just like that. The minute you feel the sting in your eyes your first reaction should be ‘I don’t want to cry,’ and to hold it back. † INFLUENCES Wong Kar-wai was born in Shanghai and moved to Hong Kong when he was five. Leaving his 40 or so cousins, he became an only child thanks to the Cultural Revolution. Leaving the lifestyle of a small village full of friends and family your own age, to a city full of adults must have been very impressionable on the young Kar-wai. His mother loved movies and luckily for them there were plenty of theaters around playing Western, European, and local films, â€Å"we spent almost every day in the cinemas because she doesn’t have any friends or relatives in Hong Kong†. Days of Being Wild, In the Mood for Love, and 2046 all take place during the 1960’s in Hong Kong, with slight political undertones so this place and time was obviously very important to him. Wong Kar-wai also seems to be heavily influenced by the French New Wave, but who isn’t? Like The 400 Blows and Breathless, Kar-wai’s films come off as a love letter to their settings because of how beautifully detailed the shots are. You can tell that he is in love with Hong Kong and that it is his greatest influence. How to cite Wong Kar Wai’s â€Å"In the Mood for Love†, Papers

Race and the 2008 U.S. Presidential Election Essay Example

Race and the 2008 U.S. Presidential Election Essay After a grueling battle against Hillary Clinton for the Democratic nomination, Senator Barack Obama emerged victorious and had come one step closer to the White House.   His nomination in itself is a historic moment.   It presents the possibility of the first ever African American man to become the president of the Free World.   If Obama wins, his victory will mark a period of social and political change.   However, people are questioning if his victory is even possible.   It was said that his race may be a hindrance to his political aspirations, as his being African-American may work against him.   Will race have an impact on the 2008 U.S. presidential election?   This research paper aims to discuss the possible role that race will play in the election in the light of the racism in American politics in general.   This paper will also delve into the media and how they handle the Obama candidacy.Racism seems to be prevalent in the history of American politics.   One example was the 2000 Republican nomination of George W. Bush, who eventually won as president (Bhanot, 2007).   His opponent then was John McCain.   Those who campaigned for Bush questioned the voting public in South Carolina if they would back McCain â€Å"if he had an illegitimate child with a black woman† (Bhanot, 2007, para. 5).   This question was an inappropriate attack on McCains adopted daughter Bridget, who was from Bangladesh. Nonetheless, McCain was no passive victim.   He was also guilty of racism.   He once referred to those who captured him during the Vietnam War as â€Å"gooks† (Bhanot, 2007, para. 6).   He then claimed that that was the nicest term he could use to describe them (Bhanot, 2007).Two years after, the racist references continue.   Mississippi Senator and Senate Minority Leader Trent Lott was in a festive mood in celebration of the 100th birthday of South Carolina Senator Strom Thurmond (Bhanot, 2007).   In 1948, Thurmond ran for president, in which he supported separation of the blacks and whites.   Lott insinuated that the United States would be much better if the country supported Thurmond and his stand on racism. Lotts indirect support of racial segregation was met with opposition, forcing him to resign (Bhanot, 2007).All the aforementioned offenders have been from the Republican Party (Bhanot, 2007).  Ã‚  Ã‚   However, this does not mean racism is only practiced by a certain group of people. West Virginia Senator Robert Byrd is a Democrat.   He was part of the Ku Klux Klan and was the head of a local chapter.   Despite this, he still is the longest serving senator, with nine terms to his name (Bhanot, 2007).This brief history showed how racism played a role in American politics in the past. The U.S. election is still months away, so the campaign is a good place to start in determining whether race would really have an impact in the coming elections.   Michael Barone, in his article for the U.S. News and World Report entitled The Race Factor in the 2008 Presidential Election, stated that race was not the reason why people reject Obama; they simply do not like him as a person.   He argued that race is not the reason why people would hesitate to vote for a black candidate (Barone, 2008).   He stated that there is only a small percentage of voters who would not vote for an African American candidate.   In his article, he also cited Colin Powell as an example, since he ran for office in 1996.   Barone argues that Powell and Obama are â€Å"not typical of Americans of African descent† (Barone, 2008, para. 10).   Even if Powell had Jamaican blood while Obama had Caucasian blood, they still are of African descent (Barone, 2008).   Regardless of the small the percentage of non-black voters, they still have an impact in the electoral process.   Race will still play a role in the outcome of the elections.The campaign period for the Democratic nomination is proof that racism still exists. In an article in Insight Magazine, it was reported that the campaign of Hillary Clinton found out about the supposed childhood of Obama (as cited in Bhanot, 2007).   It was said that as a child, Obama attended a seminary for Islamic radicals called madrassa (Bhanot, 2007).   In turn, it was indicated that he was concealing the fact that he was a Muslim.   Both accounts are false.   These are but racial attacks, as if to insinuate that Obama is linked with terrorism. This may be attributed to the fact that the middle name of Obama is Hussein (Bhanot, 2007).Another instance in the campaign in which racism became evident involved Obama rival Hillary Clinton.   When she was in West Virginia, Clinton claimed that the support of Caucasian Americans for Obama was on the decline (Navarrette, 2008).   The statements of Clinton hinted that the reason why people should vote for her or why she will win is because of her skin color.   She supposes th at her victory is assured by the color of her skin (Navarrette, 2008).   This assumption is clearly racist.According to columnist Ruben Navarrette, some Caucasians are struggling for a reason why they are not backing Obama (Navarrette, 2008).   He insisted that racism still exists; this is the reason why people cannot fully grasp the idea of an African-American running for president and winning it.   He acknowledges that there are those who still believe in the inferiority of the black race.   That is why it is such a difficult thing to comprehend how an African-American like Obama could achieve so much.   They simply never realized that having an African-American president was possible (Navarrette, 2008).From the above examples, it already shows that race have played a part and made an impact on the campaign trail.   From the aforementioned examples, it can be said that if race already influenced the campaign, it would surely influence the election itself.   Another t hing that shows how race may impact the election is through the interest of media towards the Obamas actions.Race may play a crucial part in the treatment of the media to Obama and his candidacy.   This is because the media had exhibited great interest in some of Obamas distinct mannerisms.   For instance, there was the influx of media coverage and commentary regarding the bumping of the fists between Obama and his wife Michelle before he officially announced that he was the Democratic nominee (Deggans, 2008).   The gesture had long been done, but it never really gained that much attention until this incident.   Suddenly the media bombarded the public with pieces regarding the gesture, in an attempt to explain its origins and meaning. The interest of the gesture is caused by one thing: Obamas race.In the Washington Post, Ta-Nehisi Coates wrote that for his introduction of black mannerisms to politics, â€Å"Barack is like Black Folks 2.0† (as cited in Deggans, 2008).à ‚   The gesture called the attention of the media because of its racial nature.   However, the gesture also brought about a racist response.   E.D. Hill, an anchor for the Fox News Channel insinuated that the gesture was a â€Å"terrorist fist jab† (as cited in Deggans, 2008).   Afterwards, she apologized.   The fascination results from his race, and Eric Deggans analyzed the media frenzy in an article whose title says it all: â€Å"Media treat Obama like an artifact of a foreign culture† (Deggans, 2008).While it is obvious that race attracts much media attention, the media was found to have handled the Obama candidacy with much consideration.   In fact, Obama has consistently have been receiving good press.   Early on in the campaign, Obama has received positive coverage compared to the other potential candidates (Cost, 2007).   Soon, he was receiving the best press among all presidential candidates (Center for Media and Public Affairs [CMPA], 2008).   Between December 16, 2007 to January 27, 2008, 84% of the media coverage for Obama had been approving (CMPA, 2008).   These statistics can be attributed to what Obama represents.   It was said that compared to other candidates, he is the epitome of the new direction of American politics.   He shows what the future of America can be like; he can be an agent for change (CMPA, 2008).Though racism may still exist, the medias treatment to Obama clearly does not show it.   In fact, the media is considered as one of Obamas greatest advantages.   The media had always been â€Å"enthusiastic† about Obama and his presidential campaign (Friedman, 2007).   It cannot be denied that the affirmative response of the media towards Obama had contributed in his present success.   It was the medias relentless coverage of Obama which brought him closer to the public.   Race may be an issue, but it does not hinder the reception of the media to Obama.   Some of the qualities that have endeared him to the press include his â€Å"intellect, vitality and charisma† (Friedman, 2007).   Indeed, these three work for Obama, as these qualities set him apart from his fellow candidates.   In fact, the Washington Post also indicated in a review that Obama was next to Kennedy in terms of becoming such a political superstar and a potential Chief Executive (as cited in Friedman, 2007).The preferential response of the media to Obama has attracted the attention of his rivals.   Compared to the medias treatment of Obama, the response to Clinton is not as favorable.   This is the reason why she and her supporters have been complaining about the unequal and unfair media coverage (Harris ; Vandehei, 2008).   Clintons side pointed out the the press had been â€Å"soft† on Obama (Saul, 2008).   Her complaints are quite valid.   While Obama has been receiving the best press coverage, Clinton has the worst press among the presidential candidates (CMPA, 2 008).   Obama has surely benefited from the media advantage that he has.In the history of American politics, racism had always existed.   It still exists today, as evident in the presidential campaign.   It can be derived that race will indeed have an impact on the presidential elections, when Barack Obama attempts to become the countrys first African-American president.   While race may be factor for people to not vote for him, there are still other factors that could bring Obama to the White House.   The warm reception of the media to Obama is due to his other qualities, qualities that may prove powerful enough to win him the presidency.   Therefore, while race may prove to be a disadvantage to his political ambitions, Obama still has the traits that could make people vote for him.ReferencesBarone, M. (2008). The race factor in the 2008 presidential election. U.S. News ; World Report. Retrieved June 24, 2008, from http://www.cbsnews.com/stories/2008/06/17/usnews/whispe rs/main4186563.shtmlBhanot, S. (2007). Barack Obama and the culture of racism in American politics.   American Chronicle.   Retrieved June 24, 2008, from http://www.americanchronicle.com/articles/19499Center for Media and Public Affairs. (2008).   Media Boost Obama, Bash â€Å"Billary.† Retrieved June 24, 2008, from http://www.cmpa.com/election%20news%202_1_08.htmCost, J. (2007).   Monitoring the media. Realclearpolitics.com. Retrieved June 24, 2008, from http://www.realclearpolitics.com/horseraceblog/media/Deggans, E. (2008).   Media treat Obama like an artifact of a foreign culture. St. Petersburg Times.   Retrieved June 24, 2008, from http://www.tampabay.com/features/media/article623435.eceFriedman, J. (2007). Barack Obama has nothing to complain about. MarketWatch.com.   Retrieved June 25, 2008, from http://www.marketwatch.com/news/story/barack-obama-has-nothing-complain/story.aspx?guid=%7B5FDE92C8-460E-4F6F-80B8-3E9A40E51B40%7DHarris, J.F., ; Vandehei, J. ( 2008). Obamas secret weapon: The media. Politico.   Retrieved June 25, 2008, from http://www.politico.com/news/stories/0408/9718.htmlNavarrette, R., Jr. (2008).   No racism in presidential election? CNN.   Retrieved June 24, 2008, from http://edition.cnn.com/2008/POLITICS/05/14/navarrette/Saul, M. (2008).   Angry Barack Obama bombarded by media. NYDailyNews.com.   Retrieved June 25, 2008, from https://www.nydailynews.com/news/politics/2008/03/04/2008-03-04_angry_barack_obama_bombarded_by_media.html